We have eagerly anticipated this print making it into production in Japan and endured the laborious import process to get it to America. This is clearly one of the artist's best works thus far--the detail in this "Ago" 500 print is mind-boggling. Look at the area inside the fairing and you'll see that he replicated the small lines and seams inside the fiberglass fairing on this bike. This is an evocative rendering of the bike as it sits in the Yamaha museum in Japan.
Printed on high quality Japanese art paper in wonderfully accurate coloring, this print will no doubt stop traffic no matter where you hang it, be it in your office, home or in a special place in your garage.
The OW23 was the very first racebike that Yamaha developed from the ground up specifically for World Grand Prix 500cc racing. And, who better to develop the bike for than Giacomo Agostini himself? The year prior, Ago surprised the racing world when he announced that he was leaving MV Agusta to ride for Yamaha. The payoff was quick since Ago won his eighth and final 500cc championship--and the very first for Yamahathe very next year on the OW23. Not bad for the first year of a brand-new motorcycle, and it was only Yamahas third year in GP500 competition.
The OW23 had a liquid-cooled, inline-four, two-stroke engine; a chromoly frame; and it featured a cassette-type transmission with the main shaft, drive shaft, and shifter assembly all able to be extracted from the engine in one compact unit. As a side note, the cassette transmission technology developed for the OW23 was eventually used on the TZ250 production racer and the TZR250R streetbike.
Yamaha's 1975 world 500cc title was not only the first for Yamaha, but it was also the first 500cc World Championship for a two-stroke motorcycle, which means that the OW23 essentially ushered in the golden era of pre-mix, blue smoke, and That Sound in 500cc GP roadracing.